I did this one ALL BY MYSELF...I know there is a tweaky thing under his eye but in order to fix it I would have to start all over and I was about to lose it so...there you go! :)
So about this one. Im not sure what you are talking about under his eye, because you say that you would have to start over to fix it.
Anyways, lets start on the basics. The composition is good and the f-stop is good, although the exposure looks to be about 1/4 to 1/2 a stop to dark. The real issues that i see with this photo is the lack of fill light and the expression captured is a look of confusion and surprise, not a flattering time to snap the shutter.
The child's eyes are very dark, a fill light or bounce would help this. Try not to rely on Post possibilities, your goal is to get it to the line via fundamentals then push over in post.
There is a good amount of work that needs to be done to his face, he seems to have lots of marks. Over all this shot should be left undeveloped.
Some of your later stuff is really good and then not so much. I think you need to look back at some of the factors that really worked and try to carry those to each shoot to add consistency to your work. Developing and identifying those attributes is what we are doing here, so don't fret.
Ok, so you want to buy a Bounce Card or find something that reflects well. Usually you can buy a fold up bounce that has a White reflector on one side and a Gold reflector on the other. Then hire an assistant to reflect the available and "Key" lights back into the subject.
Present 4 photos that capture the essence of timing.
Examples : movement important to your scene, an expression, an action.
Take all 3 variables (f-stop,shutter speed, ISO), nail them perfectly and throw in a little timing. Easy right?
By my estimation getting the right point of focus then recomposing your shot and at the same time capturing your subject at the peak or most important time will be your hurdles.
Weekly Assignment #3
Objective: Landscapes
Submit 4-5 landscape photographs
You might use wider focal lengths and high number apertures like f10 or f22, this is typical of a setting but don't let it hold you back.
Look for dynamic lighting and unique compositions.
Land scape basics: foreground/middle/and background elements are desired. Dramatic lighting and cast shadows to create depth.
I don't know if you have a tripod, but on some shots and situations you might need to use one, if you are doing this right you will be using the AV option and not caring about your shutter speed. The speeds could go into the 1 second or even 3 second range. At the same time, non of the samples to the left were shot using a tripod, I had plenty of light.
Good luck!
Weekly assignment #2
This week I want you to shoot using a center composition.
Objective: shoot anything, use all the tools you have learned to finish the assignment.
Def: A center composition is a composition where the main subject matter is in the dead center of the shot.
Present 4 of your best shots.
Weekly Assignment or even sooner #1
This week I want you to shoot books, thats right books.
Objective: getting close, using depth of field to create perspective, making something boring into something interesting, using different angles and compositions.
3 comments:
So about this one. Im not sure what you are talking about under his eye, because you say that you would have to start over to fix it.
Anyways, lets start on the basics. The composition is good and the f-stop is good, although the exposure looks to be about 1/4 to 1/2 a stop to dark. The real issues that i see with this photo is the lack of fill light and the expression captured is a look of confusion and surprise, not a flattering time to snap the shutter.
The child's eyes are very dark, a fill light or bounce would help this. Try not to rely on Post possibilities, your goal is to get it to the line via fundamentals then push over in post.
There is a good amount of work that needs to be done to his face, he seems to have lots of marks. Over all this shot should be left undeveloped.
Some of your later stuff is really good and then not so much. I think you need to look back at some of the factors that really worked and try to carry those to each shoot to add consistency to your work. Developing and identifying those attributes is what we are doing here, so don't fret.
How do I get the fill or bounce light when its cloudy?
This look was about as good as I was going to get. He was screaming and crying almost the whole time.
Ok, so you want to buy a Bounce Card or find something that reflects well. Usually you can buy a fold up bounce that has a White reflector on one side and a Gold reflector on the other. Then hire an assistant to reflect the available and "Key" lights back into the subject.
Post a Comment